Art :: White Mystery

“Montana Macks drops a collection of soulful instrumentals,” Chicago Reader

Gossip Wolf first caught wind of local producer-rapper Montana Macks in 2015, when his work appeared all over the Rich Jones EP Pigeons & Waffles. Macks has been a little quiet for the past couple years, but he’s had his hands full working on an instrumental album called Arrivals & Departures. He tells Gossip Wolf that he began working on it when Jones suggested he compile his unreleased material for a beat tape—but because Macks has been recording for around a decade, he has a whole lot of unreleased material. “We collectively went through over 2,500 beats to make these selections,” he says. The tracks collected on Arrivals & Departures have a soulful, sophisticated, and thoroughly relaxing vibe; the album drops Friday, August 7.

Composer and multi-instrumentalist Anni Rossi left for New York in 2010, but Gossip Wolf will always consider her a Chicagoan. After all, her outstanding 2009 full-length, Rockwell, is still the best (if not only) album named after the start-and-stop street that runs north-south the whole length of the city. For the past few years, Rossi has been releasing mixtapes of what she calls “strange pop experiments, curiosities, comedy and characters.” Last week, she dropped the latest installment, a charmingly homemade video mix called House of Rossi. “Most of these songs and videos were captured on my iPad and DV camera in restaurants, airplanes, trains, on tour, with friends or at home,” she says. The mix is streaming on Spotify and YouTube, and Rossi is already on to new projects—including an EP due later this year and a 2021 full-length produced by Bobb Bruno of Best Coast.

The audio portion of House of Rossi is streaming on Spotify.

Last week local arts nonprofit Quiet Pterodactyl dropped the all-star compilation SituationChicago, which benefits 25 of the city’s music venues. It contains tracks from Jeff Tweedy, White Mystery, Big Silky, Ric Wilson, Girl K, Dee Alexander, the Twilite Tone, and 18 other amazing local acts!

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Posted 08.06.20 Permalink to this story

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“How ‘Situation Chicago’ Is Working to Save Chicago Music Venues,” WTTW

These records are being smashed for a good cause. They’re for a new benefit album called, “Situation Chicago” with all proceeds going to 25 Chicago music venues.

Those venues are: Beat Kitchen, Cafe Mustache, Cole’s, Dorian’s Through the Record Shop, Emporium Arcade Bar, Empty Bottle, Fulton Street Collective, GMan Tavern, The Hideout, Liar’s Club, Lincoln Hall, Martyrs’, The Metro, Moe’s Tavern, The Promontory, Reggie’s Rock Club, Schubas Tavern, Silver Room, Sleeping Village, Smartbar, Subterranean, Thalia Hall, Tonic Room, Uncommon Ground and The Whistler.

Started by Trey Elder of nonprofit, Quiet Pterodactyl, the multi-genre album features 25 Chicago artists. Those artists are: Dee Alexander, Ang13 ft. Shockwave, Big $ilky, Bumbac Joe, The Cool Kids, Girl K, Anthony Gravino, Justice Hill, Hood Smoke, Rich Jones, Quinlan Kirchner, Lowdown Brass Band, The Oh Yeah’s, OKGO, Ovef Ow, Poi Dog Pondering, William Steffey, The Streets on Fire, Sam Trump & Acoustic Audile ft. Harold Green, Jeff Tweedy, The Twilite Tone, White Mystery and Ric Wilson (feat. Kiela Adira).

“We’re all in this bizarre situation,” Trey Elder said. “By calling it ‘Situation Chicago,’ we are all in this situation, but this project is how the music industry and how this situation in Chicago how we’re all going to get through this together.”

The project is sponsored by Chicago businesses like Smashed Plastic. The record plant says they’re doing their part to keep the city’s music community alive.

“I look at this music community as an absolute ecosystem,” Andy Weber, co-founder and owner of Smashed Plastic, said. “We can’t have one of those arms break down. It’s essential to be helping the venues because it works for all of us. A lot of the bands that press here, those guys also bartend at these venues and obviously play there as well. It’s also where they sell a lot of their records.”

Proceeds from “Situation Chicago” will go toward local music venues in the city, like Dorian’s. They’re a part of the Chicago Independent Venue League and say they need all the help they can get.

“A lot of you know independent venues owners say ‘first to close last to open.’ It’s not a cliché term,” said Zack Eastman, owner and operator of Dorian’s Through the Record Shop. “It’s the reality. A lot of our space, pretty much all of our spaces don’t have patios, don’t serve food and we don’t have many ways to pivot. It’s independent venues that gives folks a shot is really important.”

The artists involved aren’t getting paid to be on the album. But Justice Hill, one of the featured artists featured on the album, says support between musicians and music venues is synonymous.

“Personally, I feel happy about it,” Hill said. “But I know it’s going to do a lot to support people, so how could I not be behind it, you know.”

While the impact is unknown, Elder says he’s grateful to have created an opportunity to help the future of Chicago’s music scene.“I recognize no matter how many records we sell, I’m not necessarily saving any individual business. But I think we could have a really big impact on helping them get through this time when they’re not.”

Situation Chicago drops Thursday at midnight. Visit the album’s website for more information, including how to buy it.

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Posted 08.04.20 Permalink to this story

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“Cadien Lake James’s greatest moment in Chicago music history” Chicago Reader

Not only is 2020 the Year of Chicago Music, it’s also the 35th year for the nonprofit Arts & Business Council of Chicago (A&BC), which provides business expertise and training to creatives and their organizations citywide. To celebrate, the A&BC has launched the #ChiMusic35 campaign at ChiMusic35.com. It includes a public poll to determine the consensus 35 greatest moments in Chicago music history (the Reader will publish the results on July 23) and a raffle to benefit the A&BC’s work supporting creative communities struggling with the impact of COVID-19 in the city’s disinvested neighborhoods.

Another part of the campaign is this Reader collaboration: a series spotlighting important figures in Chicago music serving as #ChiMusic35 ambassadors. For this final installment, we hear from Cadien Lake James, vocalist and guitarist in prolific indie-rock band Twin Peaks. The group is part of a young garage-band explosion that came out of Chicago around 2010. Their newest release, the four-song EP Side A, consists of material they finished remotely or under socially distanced conditions after the pandemic shutdown in March; it includes contributions from Ohmme, V.V. Lightbody, Lala Lala, and Tom Reeder, and it comes out Friday, July 3.

This interview was conducted by Ayana Contreras, who’s a DJ, a host and producer at WBEZ radio, and a columnist for DownBeat magazine.

Ayana Contreras: What is your favorite Chicago musical moment?

Cadien Lake James: I love the idea that Larry Heard—who was a jazz musician growing up—in 1984, when he was 17 or 18, bought a synthesizer and a drum machine and just dived headfirst into [the house-music] world. Within a week he had made “Washing Machine” and “Can You Feel It,” very groundbreaking singles. Given the influence he ended up having on the club scene in Chicago and house music, and how integral that is to Chicago’s music community, I think that’s a cool moment.

It’s not the easiest thing to draw a correlation with Twin Peaks’ music, but it’s still very influential to me.

Larry Heard’s single “Washing Machine,” released in 1986 under the name Mr. Fingers

How so?

First of all, it’s what I listened to the most traveling on the road around the country. I got into house music, specifically Chicago house, and then discovered how integral it was to an inclusive Chicago music community. . . . I feel like Chicago notoriously had this DIY inclusive scene [when Twin Peaks], White Mystery, the Yolks, and all these bands were cutting our teeth playing shows in Chicago. We made it playing in people’s basements and raw spaces and houses.

And I don’t know if Chicago would have developed that in its garage-rock community if it wasn’t for the organization done by the Chicago house community, setting the precedent that there were spaces to be made to play music that didn’t have to be in venues, and places that were inclusive to everyone.

You kind of tiptoed around this next question without even knowing it. What do you think it is about Chicago that’s made it a place that has continually given birth to music that’s influential around the world?

Well, I mean, it’s so indebted to Black artists. And the Black music community here, whether it was blues or jazz going into rock ‘n’ roll and then the house community, it’s just been an epicenter for the arts, and there’s so many legendary musicians who came out of here.

Maybe back in the day, with the blues record labels, there was more of an industry presence, but as we entered the 70s, 80s, 90s, there was less of the industry being in Chicago, which I think also created space for artists to collaborate and perform without the competition that you might see in an LA- or New York-based scene, where people are catering to “My big break could come from playing this show, who’s going to be there, who can help my project.”

I think Chicago has been able to just produce so much wonderful music and other art that’s current and pushing ground, which I don’t think [Twin Peaks are] a part of, but it’s still happening in Chicago.

But you could . . . it’s not too late.

Yeah, that’s right.

We’re in the middle of a great big reset.

We’re doing a lot of learning right now.

Read the article here!

Posted 07.09.20 Permalink to this story

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“People Power” Limited Edition Vinyl